Traditional Etching Ink
Manganese Violet
Properties
PV16 (C.I 77742) Manganese ammonium pyrophosphate
Transparent
Traditional Etching Ink
Mid Black
Properties
PBk7 (C.I 77266) Furnace carbon black
OpaqueBKC 1810 Mid Black
Additional Information
A versatile‚ mid-toned Carbon Black (PBk7) ink with low viscosity & low tack. Our Mid Black works particularly well for images with LINE. It has a soft feel and wipes evenly & easily to give a strong print. This ink allows the printmaker full control of the amount of ink left on the plate.
Traditional Etching Ink
Mid Green
Properties
PY13 (C.I 21100) Dis Azo Yellow | PW6 (C.I 77891) Titanium dioxide | PB15:3 (C.I 74160) Beta copper phthalocyanine | PO34 (C.I 21115) Disazopyrazolone (diarylamide)
Semi Opaque
Traditional Etching Ink
Ocean Blue
Properties
PB15:3 (C.I 74160) Beta copper phthalocyanine
Transparent
Traditional Etching Ink
Opaque White
Properties
PW6 (C.I 77891) Titanium dioxide
Semi opaque
Additional Information
Titanium White is the most opaque ink the range with the greatest covering power.
Traditional Etching Ink
Orient Blue
Properties
PB29 (C.I 77007) Sodium alumino sulpho silicate | PB15:3 (C.I 74160) Beta copper phthalocyanine
Transparent
Traditional Etching Ink
Permanent Green Lake
Properties
PY3 (C.I 11710) Monoazo Yellow | PG7 (C.I 74260) Polychlorinated copper phthalocyanine | PW6 (C.I 77891) Titanium dioxide
Semi transparent
Traditional Etching Ink
Permanent Red
Properties
PR112 (C.I 12370) Monoazo Red (napthol) | PR4 (C.I 12085) Monoazo (beta napthol) | PR48:2 (C.I 15865:2) Monoazo | PW6 (C.I 77891) Titanium dioxide
Semi transparent
Traditional Etching Ink
Permanent Viridian Lake
Properties
PG7 (C.I 74260) Polychlorinated copper phthalocyanine
Transparent
Traditional Etching Ink
Permanent Yellow Lake
Properties
PY13 (C.I 21100) Dis Azo Yellow | PW6 (C.I 77891) Titanium dioxide | PY3 (C.I 11710) Monoazo Yellow | PR4 (C.I 12085) Monoazo (beta napthol)
Semi transparent
Traditional Etching Ink
Primrose Yellow
Properties
PY3 (C.I 11710) Monoazo Yellow | PW6 (C.I 77891) Titanium dioxide | PY13 (C.I 21100) Dis Azo Yellow
Semi transparent
Traditional Etching Ink
Process Cyan
Properties
PB15:3 (C.I 74160) Beta copper phthalocyanine
Transparent
Our Process (or primary colours can be used in several ways‚ for example:
1. Mix the three process colours in varying proportions to create a spectrum of bright colour mixes of your own. You will find you can make a much wider range of
greens‚ purples‚ blues‚ reds and oranges than you can achieve with a standard blue‚ red and yellow ink. Use white, black and extender to make an even wider
range of tints and shades.
2. Over printing layers of these inks to create new colours where the transparent coloured layers overlap.
3. For printmakers who need a four colour process set (CMYK) to create prints with multiple plates.
(Depending on ink film thickness ‚ you can adjust strength with extender as required)
Traditional Etching Ink
Process Magenta
Properties
PV19 (C.I 73900) Polycyclic quinacridone
Transparent
Our Process (or primary colours can be used in several ways‚ for example:
1. Mix the three process colours in varying proportions to create a spectrum of bright colour mixes of your own. You will find you can make a much wider range of greens‚ purples‚ blues‚ reds and oranges than you can achieve with a standard blue‚ red and yellow ink. Use white, black and extender to make an even wider range of tints and shades.
2. Over printing layers of these inks to create new colours where the transparent coloured layers overlap.
3. For printmakers who need a four colour process set (CMYK) to create prints with multiple plates.
(Depending on ink film thickness ‚ you can adjust strength with extender as required)
Traditional Etching Ink
Process Yellow
Properties
PY3 (C.I 11710) Monoazo Yellow | PW6 (C.I 77891) Titanium dioxide | PY13 (C.I 21100) Dis Azo Yellow
Semi transparent
Our Process (or primary colours can be used in several ways‚ for example:
1. Mix the three process colours in varying proportions to create a spectrum of bright colour mixes of your own. You will find you can make a much wider range of greens‚ purples‚ blues‚ reds and oranges than you can achieve with a standard blue‚ red and yellow ink. Use white, black and extender to make an even wider range of tints and shades.
2. Over printing layers of these inks to create new colours where the transparent coloured layers overlap.
3. For printmakers who need a four colour process set (CMYK) to create prints with multiple plates.
(Depending on ink film thickness ‚ you can adjust strength with extender as required)
Traditional Etching Ink
Prussian Blue
Properties
PB27 (C.I 77510) Iron (iii) hexacyanoferrate (ii)
Transparent
Traditional Etching Ink
Raw Sienna
Properties
PY42 (C.I 77492) Iron hydroxide oxide | PBr7 (C.I 77491 C.I 77492) Iron & Manganese oxide | PR4 (C.I 12085) Monoazo (beta napthol) | PW6 (C.I 77891) Titanium dioxide
Semi opaque
Traditional Etching Ink
Raw Umber
Properties
PBr7 (C.I 77491 C.I 77492) Iron & Manganese oxide | PY42 (C.I 77492) Iron hydroxide oxide | PBk7 (C.I 77266) Furnace carbon black
Semi opaque
Traditional Etching Ink
Red Ochre
Properties
PBr7 (C.I 77491 C.I 77492) Iron & Manganese oxide | PW6 (C.I 77891) Titanium dioxide
Semi opaque